live :
‘Naked Strategy 2
@
2007. 11. 23 (ΰEjj19:30` 1500
Sonic Brew
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TEL&FAXF0586-72-3322
http://sb.tomengo.com/
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knot+over@RjVqTJYibanjoj ͺθLAielectronicsj@
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file (mp3) :
‘01@Excerpt from Live at Gallery Ray, May 16, 2007
reviews :
(Aiding & Abetting no 257)
An experimental duo improvising on banjo
and assorted electronics. The sort of extreme mind trip that few on this
planet can withstand. But hey, I like the stuff, and this album gave me
plenty to think about--which is exactly why I listen to this kind of music.
Let go of the conscious self and surf the dark energy.
Jon Worley
(Touching Extremes 10/17/2004)
The odd coupling of banjo
and electronics is the mould for some placid improvisations
by this Japanese duo. In such a situation, no preconception
is allowed about problems of "style" and after
listening to these tracks, recorded live in 2004, I'm not
left much the wiser about a definition. Let's just say
that the banjo is approached with a koto-like technique
of pluck and arpeggio, without caring too much about modulation
or clean fingering; the electronics are constantly present,
always shifting to fluttering repetitions and stoned textures.
All this makes for several enjoyable segments in a music
that, strangely enough, accompanied my activities as an
almost relaxing background, even if you couldn't really
say that it's "beautiful". - Massimo Ricci
(Vital Weekly no 431)
Knot+Over is also a duo, of H. Konishi on banjo
and T. Okazaki on electronics. It's of course easy to compare this with
Nogami, but there are considerable differences. First of all, Knot+Over
play four long tracks but, more important, through out these four tracks,
the balance is well-kept between banjo on one hand and the electronics
on the other. I think the electronics must be mainly understand as sound
effects being applied to the produced banjo sounds, and not elaborate
computer processings. Although I thought the ideas were quite nice, I
also though that two tracks, say roughly the first half of this disc,
was enough to please and the second half was a mere repetition of the
same idea.
Frans de Waard
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